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Logic Pro X Review: Is It Worth It? (Cons & Pros)
Logic Pro has a lot of tools for manual editing. It has everything you need to manipulate transients the way you want them. The main thing is to understand all the features and try them out.
Logic Pro X has over fifty different built-in plugins. They include everything you need for both mixing and mastering : EQs , compressors , filters , effects , meters , and more. It seems that the creators of Logic decided to treat their users to the full.
The variety of mixing plugins here is impressive. The creators of Logic Pro have also prepared for you some plugins that you can use in stereo bus processing. As we can see, the number of built-in plugins in Logic Pro is simply overwhelming. After that, they may well make their way into your working arsenal. Logic Pro X features more than 20 virtual instruments that may surprise you with their sound quality.
You can use vintage and modern synthesizers , samplers , studio horns and strings , organs , drum machines , and acoustic drums.
Here are a few of the most outstanding in our opinion. It is a beautiful place to experiment with sound and find your perfect sound. The DAW market is now more developed than ever. A ton of software is available that will allow you to achieve professional results, both in your home studio and on a more commercial level.
But should you give your preference to Logic Pro? Over the years, Apple has done an incredible job providing its users with fantastic professional music software.
We advise you to weigh all the pros and cons that might be crucial for you. Does your budget allow you to purchase this software? Hollin Jones More articles by this author. The Future of Podcasting is Spatial.
Discussion Want to join the discussion? Featured Articles. Automation written for a Surround Panner with stereo input now writes automation for Angle, as expected. Multiple selected faders now maintain their same relative positions when adjusting one of them after automation has been enabled, disabled, and then re-enabled. CC data at the beginning of a region or Live Loops cell is now reliably triggered when playback is started at the region start position. Pitchbend data is now chased reliably.
Fixes and issue where Chase occasionally generates unexpected Sustain Off messages when adjusting other controls during playback. Sustain messages are now chased correctly if the Playhead is moved during playback.
Region-based Automation is now chased reliably. Chase now properly picks up events from looped regions. Regions with Clip Length enabled no longer cause unexpected notes to be chased at the start of playback. Chase for MIDI messages has been improved. Note events at the start of a region are no longer chased if the left corner of the region starts after the note on.
Track Stacks Shift-clicking to select multiple tracks no longer causes tracks inside of closed Track Stacks to be selected. Fixes an issue where tracks with stereo inputs enclosed in Summing Stacks could change to No Input when loaded as part of a saved Patch.
Resolves an issue that prevented Track Stack overview regions from being selected in certain cases in which the Track Stack contained aliases of audio regions. Track Stack patches now display the track name that was saved with the patch. Sustain pedal events now work reliably with all sub-tracks of a Summing Stack in cases where one or more of the tracks has a Key Limit set.
Dragging a region or loop onto a track within a Track Stack now automatically loads inactive plug-ins on the main track of the stack. Dragging main tracks containing nested Track Stacks to different positions in the Track Header no longer causes the dragged tracks to be unexpectedly added to other Track Stacks or to disappear entirely. New tracks created in a Summing Stack are placed immediately below the currently selected track.
Flattening a Take Folder with an active Comp no longer causes Quantize to unexpectedly switch off. Fixes an issue where the Reset All Flex Edits command on a set of Grouped tracks in Slicing mode could throw the regions out of sync with one another. Grouped tracks containing flexed takes takes now remain in phase when the number of transients in a Quantize referenced track is changed.
Fixes an issue where audio regions set to Flex: Mono mode could sometimes exhibit crackling noises after the region borders are adjusted. Text now reliably remains visible when typing in parameter values for controls in Alchemy. The Waveform display in the Convolution Reverb no longer disappears if an effect in a prior slot is dragged to a later slot. Moving a Waveshaper instance to another slot no longer causes other instances of Waveshaper to be added. Fixes an issue where saving an edited version of an Alchemy factory preset could create an unnecessary copy of AAZ file.
Plug-ins The Goniometer display in the Multimeter plug-in now continues to show output on Retina displays when receiving stereo white noise. Enabling True Peak Detection on one channel of the Limiter or AdLimiter plug-in in Dual Mono mode no longer puts the left and right channels out of phase with one another. The disclosure triangle for advanced plug-in parameters is now available when the Advanced Tools preference is not enabled.
The Peak Hold indicators in the Level Meter and Multimeter plug-ins no longer freeze when the level is reduced during playback. A Software Instrument plug-in window that is in Link mode and minimized no longer blinks when an audio track is selected.
Enabling True Peak Detection in the Adaptive Limiter plug-in no longer causes the overall output level to be unexpectedly reduced. On Mac computers with Apple silicon, switching between channels on dual mono instances of Audio Units plug-ins no longer causes the plug-in display to briefly flicker.
The signal now remains in phase when using the Grit or Tubeburner pedal modules in parallel on the Pedalboard. Fixes an issue where the cutoff filter in Retro Synth could sound different after several consecutive presses of the same key. Audio Units plug-ins with square windows now display properly on Mac computers with Apple silicon.
Logic now properly migrates instances of Kontact 5 to Kontact 6 after Kontact has been updated on the computer. Resolves an issue where IRs in Space Designer could be unexpectedly truncated after the project sample rate is changed. Mixer Fixes an issue where double-clicking on the Surround Panner to open a floating pan window occasionally leads to unexpected changes to the pan position.
Selecting multiple channels in the Mixer using the Command or Shift keys now works consistently. Plug-in insert slots now show an indicator when plug-ins are using a sidechain input. Setting the channel strip in the Main window inspector to Surround output while the Smart Controls view is showing EQ on the Output no longer causes all insert slots on the Output to be filled with Channel EQ instances when the left channel strip is switched back to Stereo.
The Mixer now reliably updates to show that all effects plug-ins have been removed after the Remove All Effects Plug-ins command is used. It is now possible to change the Automation Mode for multiple channels in the Mixer that are not assigned to tracks in the Main window.
Groups Group settings now offer an option to create a default set. Groups in tracks with Track Alternatives are now maintained properly when a Take folder is disclosed on one of the tracks in the group. Audio regions on grouped tracks whose anchors are not at the region start point are no longer unexpectedly selected when other non-overlapping regions in other tracks in the groups are selected.
It is now possible to select a region on a track assigned to a group without also selecting overlapping regions on the same track. Drummer now outputs sound when the Vintage Brushes kit is set to play only from the percussion section in the Drummer Editor.
Fixes an issue where clearing all Pads in an instance of Drum Machine Designer could clear plug-ins from shared Auxes associated with the Drum Machine Designer instance. Saving a patch based on a new instance of Drum Machine Designer on a track with a custom track name now uses the track name by default.
Loops placed on the main track of a multi-out Drum Machine Designer track stack now play in sync. Drum Machine Designer sub-tracks can now be sorted. Subtracks for instances of Drum Machine Designer now reliably show icons when the toggling the stack in the Mixer. The Fill Lock setting is now preserved when a Drummer region is copied. Takes and comping Using Quick Swipe comping from right to left to close a gap between comp segments in a Take no longer causes the entire Take to be unexpectedly be selected in the comp.
The Audio File Editor now displays automatically generated Take names as expected. Fixes an issue in which Comps in Take Folders could still be edited on tracks with Track Protect enabled. Fixes an issue where editing Quick Swipe Comping in an audio Take folder could reset fade lengths. It is now possible to split multiple selected takes in a disclosed Take folder at the same time. Splitting or copying Take regions that have been renamed now appends a number to the name of the new segment.
New Take regions created by splitting existing Take regions now show up immediately in the Project Audio window. Region solo now works for selected Quick Swipe comps in Take folders. Take Folders recorded over a tempo change are now the correct lengths.
Track Alternatives Option-drag copying of a region while inactive Track Alternatives are visible no longer leaves the bottommost inactive alternative selected. Fixes an issue where a region exported from a take folder within a Track Alternative can cause the Track Alternative to not work correctly. Recording MIDI to a track showing inactive track alternatives no longer creates aliases on the inactive alternatives.
Dragging an inactive track alternative to the area below the last track in the Tracks Area now creates a new track at the expected location and places the region there. A Track Alternative created by Option-dragging an inactive Track Alternative below itself is now fully available in the Track Alternatives menu. Fades When a crossfade is edited, the right side of the fade now visibly updates as expected.
Nowadays, in Logic Pro X you can use saved channel strip settings to instantly pull up the same plugins you used for the drums on one song, for example, and apply them to the next song.
If you click on one of those settings to load it, all the previous effects will be applied to the current channel. It will not change any of your routing or panning. If you save your channel strip settings as a performance, you can give it a program change number, which can then be triggered by your MIDI controller keyboard as a program change, which is useful for live performance applications or having more creative control over your instrument tracks. User profile for user: kwervo1 gmail.
I installed it on my iMAC no problem. A few months later I went to install on my MacBook but LPX did not reflect in my purchase history nor was the purchase in the hidden section of my account it shows in my iMac history as a purchase though. I had to purchase to start the download and then called Apple to sort it out.
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